Notice: Undefined index: HTTP_REFERER in /home/stparch/public_html/headmid_temp_main.php on line 4394
Newspaper Archive of
Barnstable Patriot
Barnstable, Massachusetts
April 21, 2006     Barnstable Patriot
PAGE 23     (23 of 34 available)        PREVIOUS     NEXT      Jumbo Image    Save To Scrapbook    Set Notifiers    PDF    JPG
 
PAGE 23     (23 of 34 available)        PREVIOUS     NEXT      Jumbo Image    Save To Scrapbook    Set Notifiers    PDF    JPG
April 21, 2006
 
Newspaper Archive of Barnstable Patriot produced by SmallTownPapers, Inc.
Website © 2025. All content copyrighted. Copyright Information
Terms Of Use | Privacy Policy | Request Content Removal | About / FAQ | Get Acrobat Reader




ftf AkmW.fttiMli entrpt(«;aol.com THE WRITE STUFF Frank Lloyd Wright: An American Architecture (Pomegranate Communi- cations, $39.95) Never has something so old been so welcome back into our library. This cel- ebrated volume, focusing on the master builder 's vision of construction to complement the landscape and first published in 1955, is a compilation of his for- mal and informal writings, lectures and talks, alongside case studies of his most important works. What sounds academic is absorbing, readable , even poetic - as much a look into a creative mind as a bible of guiding prin- ciples and philosophy done Wright. DVD QUICK PICKS Liza with a Z (Showtime Entertainment) Bob Fosse and John Kander produced this groundbreaking 1972 television concert; nearly 35 years after it was first broad- cast, it remains a musical treasure. That was a very good year for Fosse, who achieved the prestigious '"Hat Trick" -winning an Oscar for the film Cabaret (also starring the lady with the Z), a Tony for directing and choreographing Pippin and an Emmy for this one-night special. The small-screen concert was aired on network TV three times, and has not been seen since its debut; Liza, who owns the rights to the show, finally had the brains to resurrect (and re- master) it for mass consumption. Be- fore pills and liquor turned her into some- thing worse then her girlfriend known as Elsie, here is Judy 's older daughter at her best , dancing, singing, clowning and proving that she once was Mama 's worthy successor. Filmed '"live"' (on 16mm film!) on May 31, 1972 at Broad- way's Lyceum The- atre , and with the entire audience at one with her from the very first notes, Liza with a Z is an electric and electrifying performance. She and Fosse are at the top of their form, with his sinuous and athletic choreography fitting her perfectly; the goofs and the '"ad-libs'" are charming and the entire experience proves that with real talent there 's no need for reality shows. Remember when American idols, like Liza, were really idols? From "Mammy"to "Son of a Preacher Man,"from "God Bless the Child" to "Ring Them Bells,"before she became the drag queen's dream and the gay man's constant wife, she was our Liza. As sad as her current state is, this DVD returns us to those thrilling daysof yesteryear,when Liza, and her audience , was young. And eager. And everything - and anything - was possible. The Mel Brooks Collection (Fox Home Entertainment ) The list of comic geniuses is short, and Mel Brooks may very well be at the head of the list. Fox's eight-DVD collection covers just about all the great flickshe has given us throughout the years (save The Producers) : Blazing Saddles , the acknowledged masterpiece , leads the pack with Young Frankenstein coming in a close second. High Anxiety (the Hitchcock spoof in which Harvey Korman and Cloris Leachman imprison Brooks in the looniest of loony bins) and the star-studded Silent Movie (with Marcel Marceau in the only speaking role) , are well-known,well-respected comedies that have stood the test of time. But Fox has added to the package some of the less-popular favorites that are, nonetheless, screamingly wet- your-pants funny. Watch, and listen, to Madeline Kahn choose her slaves in History of the World: Part 1, or Cary Elwes disguising his merry men in drag for a trip to Nottingham ("Fix your boobs, you look like a bleedin' Picasso!") in Robin Hood: Men in Tights. The Twelve Chairs is ahard-to-find rarity from 1970,with a marvelously befuddled Ron Moody, a fabulously funny Dom De Luise and an incredibly young and dishy Frank Langella. And To Be or Not To Be, a remake of the Lubitsch gem, has Brooks playing the Jack Benny Dart and his beloved, late wife Anne Bancroft in the Carole Lom- bard role. Brooks im- proves on Lubitsch in every way - the remake is at once more romantic, fun- nier and rougher on the Nazis than the admittedly exquisite original. Hollywood legend claimsthat at the film's premiere , Brooks quipped: "I may not be a Lu- bitsch, but I try not to be a son of a Lu- bitsch. " Brooks is a liberating writer and director, and his movies are consis- tently wonderful and thought-provoking. Genius has never been so eifted. mti\tekmti\t Rtw Herring Aid I n T H r r A R f John Hay's The Run will speak for itself By David Still II dstill@barnstablepatnot com John Hay's The Run, first pub- lished in 1959, is a book I always said I should read , but never did. In February, the long-neglected copy made its way off that long- neglected shelf behind my desk and into my soft-leather briefcase. The first edition of The Run made it to that shelf five years ago as part of a collection from the home of the Patriot' s,former owner, Bar- bara Williams. It had been opened several times since then , in search of a quick and appropriate passage to spice up a story, but always put back without success. It was likely the coming run, closed statewide to the taking of any fish for the first of three sea- sons, that prompted the cover-to- cover read. Whatever the reason, it's now a part of me. Much asHay provided afull-cycle glimpse of the alewife, from inlet to outlet, the book is something that needs to be read in its entirety to be appreciated and felt. Those who'd like that done for them have the opportunity this weekend at the Cape Cod Museum of Natural History in Brewster, an organization that counts Hay among its eight founders. Saturday the museum start s a new tradition with the first read- ing of The Run at the building that replaced the tent that was its first home. From 10 a.m. to 3 p.m., Hay's family and friends will read the book , in what'shoped to be an annual event. Among those sched- uled to read are Kitty Hay (the author 's wife), Richard Wheeler (known for his epic kayak trips), Seth Rolbein (editor and publisher of The Cape Cod Voice), Michael Gradone (Nauset superintendent of schools), Beth Finch (president of Brewster Conservation Trust), Dr. Fred Dunford (author and researcher at CCMNH), Charlie Sumner (Brewster town adminis- trator), novelist Ann LeClaire and many others. Hay makes a point to refer to his subject as alewives, not her- ring, through the 184 pages of the original easily-read pages (the 40th anniversaryhardcover published in 1999 has 164). It's an effort to be precise , not superior. Sea herring live and breed in salt water, growing larger and remaining tastier (a key economic point) than their cousins. Alewives, sometimes called river herring, are among several anad- romous fish that spawn in fresh water, but live in salt. It is the annual passage from open sea to near-closed ponds and back that is chronicled in The Run. The benefit of writing about a species in its environment is that the observations and nature of the subj ect remain relevant and important years after the work is completed. Hay's observations about the alewives could have been recorded hundreds , if not thou- sands of years before and, depend- ing on our treatment of the species and itshabitat , hundreds,hopefully thousands , of years hence. While the nature of the fish is obviously key to this book , Hay did not start out with an intimate CONTINUED ON PAGE C:2 'Uninhibited' artists ready to show works in Cotuit Life, Inc's painters share scenes from subconscious By Britt Beedenbender arts@barnstablepa!not com BRITT BEEDENBENDER PHOTO EXPRESS YOURSELF- Kevin Nickerson creates an artistic vision for inclusion in a new exhibit at Cotuit Center for the Arts. With afew quick and simple brush strokes executed with a freedom of expression that suggests years of training, Ei Mori breathes life into her watercolors. "I like birds," she said, "I like how they sound in spring...they are free." In a matter of 20 minutes, Mori has created more than a half dozen pencil and watercolor birds. The enthusiasm and focus she-brings to her art is shared by nearly 30 of her fellow Life, Inc. artists who have participated in classes at the Cotuit Center for the Arts for nearly a year. Life, Inc., founded in 1993. is a residential program for adults with learning disabilities. This Saturday, the Cotuit Center on Route 28 will hold an opening reception for "Mindflow: Subcon- scious Art of the Soul." an exhibit that will highlight a multitude of diverse works created by Life, Inc. artists over the past year. Funded by the Arts Foundation of Cape Cod. the show is one of discovery and is the lead-in exhibition to this summer's groundbreaking exhibit "Outsiders in Paradise ." the first show of Outsider art ever to be seen on Cape Cod. Conceptually and stylistically, the "Mindflow" exhibition oper- ates within the larger context of the Outsider/Folk art movement, which Howard Finster.the Georgia preacher who began creating at the age of 60. brought to national prominence in the 1970s and 1980s. Outsider artists have become known for their work, which is untutored and unencumbered by pictorial influences. Their works are seen as more "child-like and primitive " and therefore , more connected to their original sources of inspiration , and have been lauded for their originality and freedom from artistic and cultural restraint. As an extension of this inspira- tion , the "Mindflow " exhibition strives to move beyond the dis- abilities of the artists and focus instead on the humanity and the uniqueness of each person's ex- perience. "What I love about these people is that they are totally uninhib- ited...to the point where you can get some pretty crazy things happening , " said the Center 's impassioned executive director, James Wolf "Just getting them to communicate with me was such a breakthrou gh. It took weeks, sometimes months. " CONTINUED ON PAGE C:2