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By Michael Rausch
arts@barnstablepatriot.com
Woody Allen's newest movie,
Match Point , is very much a typical
WoodyAllenmovie.At the sametime,
it also very much an atypical Woody
Allen movie.
Allen, in his usual style, sets his
story among the urban cultured
and educated, so that there are
vestiges of everything from Annie
Hall to Manhattan to Hannah and
Her Sisters to Husband and Wives.
It also explores Allen's seemingly
never-ending fascination with hu-
man relationship, love, sex and
infidelity.
It is not, however, typical Woody
in the sense that it is not funny, and
does not mean to be funny, even
unintentionally. In that way, it is
more in line with Allen's Interiors
and Another Woman. It is also set
in London, not Allen's beloved New
York City, another major departure
for the Gotham-geared director.But
morethan anything,Match Point isa
tip of the cap to film history,and one
non-Woody movie in particular.
In Match Point , Chris Wilton
(Jonathan Rhys-Myers) is a social
climbing, one-time touring tennis
pro. Chris takes a job as a teach-
ing pro at an elite English athletic
club, where he meets Tom (Mathew
Goode). The two, in spite of the
difference in their social standings,
strike up a friendship, and Chris
is welcomed with open arms into
the Hewitt family with its country
estates, high finances and cocktails
at five manners. He even becomes
engages to Tom's sister, Chloe (Em-
ily Mortimer), at about the same
time that he meets and becomes
infatuated withTom'sfinance, Nola
(Scarlet Johansson), a struggling,
out of work American actress liv-
ingin London. Chris marries Chloe,
while Tom eventually breaks it off
with Nola, paving the way for Chris
to start up anultimately tragic affair
with Nola.
In crafting Match Point,Allen has
tweaked Theodore Dreiser's classic
novel of love, lust and temptation,
An American Tragedy,
itself an excellent film
from 1931. That earlier
film versionwasultimately
overshadowed byitsmore
renownedremake,A Place
in the Sun, with George
Stevens fetishizing his
youthful stars, Elizabeth
Taylor and Montgom-
ery Clift, in some of the
screen's most exquisite
extreme close-ups. While
Taylor and Cliffs almost
impossible beauty are
what isbest remembered
from A Place in the Sun,
and while Johansson and
Rhys-Meyersare certainly attractive
performers, it is Allen's crispness
of direction, and easy ebb and flow
to his dialogue and plot that stand
out here.
Inlesscapablehands,Match Point's
rather pedestrian tale of passion, in-
fidelity and betrayalcan come across
likeanyothernightonprimetimeTV.
Allen, however, massages the basic
plot and adds layer upon layer of
character,plot andmotivationto give
his film a livelier pace, and a greater
resonance, all the while showcasing
some of his finest, most concise and
spare film directing yet. His camera-
workflaunts the beauty of downtown
London and the English countryside
withthe samerapture Allentypically
saves for his beloved Manhattan.
Johansson and Rhys-Meyers are
superbly cast, Rhys-Meyers with
his hooded eyes clearly a match
for Johansson's sultry sexuality.
The supporting cast shines as well,
especially Tony Roberts stand-in,
Goode, as Chris' unsuspecting and
ever so "hail, well met" upper crust
Brit. Brian Cox is the epitome of
the well-to-do Englander, all soft-
spoken, cashmere and tweed, and
Mortimer is a delight as Chris'ever-
devoted wife.
There are a few plot holes leading
up to Match Point's unexpectedly
satisfying denouement, but noth-
ing so devastating as to ruin the
artistry on display here. Woody Al-
len cements his reputation as one
of America's premier film talents,
whether he films here or abroad.
Trailers: Glory Road
From the makers of Remember the
Titans, a similarly-themed sports
film, this time set on the basketball
court. Josh Lucas stars as Don
Haskins, coach of Texas Western
University. Glory Road tells the
story of how, in 1966, Haskins led
the country's first all-black college
starting lineup to the NCAA cham-
pionship. (Now Playing)
The New World
Fromelusivefilm director Terence
Malick (his last film was 1998's The
Thin Red Line, before that 1978's
Days of Heaven) comesthisre-telling
of the tale of explorer John Smith,
his love for Indian princess Pocah-
antas and the clash between Native
AmericansandEnglishsettlersinthe
17th century. (Now Playing)
*** Match Point (R) *
BRIAN VELENCHENKO PHOTO
KEILLOR STRAPS ON STRAW
HAT - The legendary host of
A Prairie Home Companion
will visit Hyannis June 29 for
An Evening With Garrison
Keillor. Joining him at the
Cape Cod Melody Tent for the
summer-circuit show will be a
"surprise guest."
Music and mirth are the bywords
for the Cape Cod Melody Tent's2006
season.
Just a handful of shows has been
made public -and for now, tickets
are available only to Gold Circle
members - but the roster already
reveals some new twists.
On June 23, local favorite and
national touring artist Susan Te-
deschi will appear with the great
Etta James. In reviewingher album,
Martin Scorsese wrote: '"Blues to
the Bone' is right -that's how deep
Etta James' voice cuts."
A Prairie Home Companion 's host
will be by June 29 for An Evening
With Garrison Keillor (and a "sur-
prise guest.") At 75 cents short of 60
bucks, the laird of Lake Wobegon is
commanding the Tent's top ticket
price so far.
The young and rising country
music star LeAnn Rimes, who visits
Hyannis Aug. 5, has been exploring
the genre'sclassicslately. No telling
what she'll choose to sing on the
rotating stage.
George Carlin continues to probe
the human race with a pointed stick
intwo showsJuly22. The Beach Boys
provide a feel-good antidote in their
own two-show appearance Aug. 12.
OtherreturneesincludeStyx (Aug.
13) and Kenny Rogers (Aug. 18).The
Russian American Kids Circus (July
12) and Kaleidoscope Children's
Theatre (six shows on Wednesdays
in July and August) will entertain
the small fry.
Formore on the season, goto www.
melodytent.org
Melody Tent to welcome Etta James,
Garrison Keillor and LeAnn Rimes
It probably won't be the first encounter with the music
of Bill Morrissey for many in the audience at First En-
counter Coffeehouse in Eastham Jan. 14 at 8 p.m., but
instead ahappy reunion with the New England folk/blues
performer. Tickets are $12 (free for children), and the
doors open at 7:30 p.m.Northern Lightswillbrighten our
dark winter skies Jan.28 ($15) and keeper of traditions
John Hammond sings and plays Feb. 11 ($18).
• • •
Are you a biker poet? If your two "R's" are writing
and riding, you'll be glad to know that Cape biker poet
Joe Gouveia, a contributor to the Patriot, has set up
the Biker Poets & Writers Association. Project One is
an anthology of biker poetry, song, lyrics, short stories
and articles, all on the theme of riding or an experi-
ence related to riding or on the road. The dead-
line for submission is March 15; contact Joe at
bikerpoetswriters@gmail.com
• • •
The Arts Foundation of Cape Cod extended
the giving season to January, when it awarded
$25,000 in grants to support local cultural activi-
ties. The Town of Barnstable received $2,000 for
a community event about public artwork, and
Champ Homes in Hyannisgot $1,370 for a utility
sink in its art studio. A grant of $1,750 went to
L.I.F.E. for an exhibit of artists' work at Cotuit
Center for the Arts. The full list is available at
www.artsfoundation.org
• • •
The Chatham Chorale performs Jan. 15at 2:30
p.m. at the Cape Cod Museum of Art in Dennis
in the "Music & More"concert series. Admission
is $15, which includes refreshments and a chat
with the performers after the concert. There's a
tango presentation Jan. 22,and the Gospel Choir
of Zion Union Church in Hyannis sings Jan. 29.
The series continues through March.
\ I
OJ&
S NOTEBOOK ~^-s_^
CONTRIBUTED PHOTO
HAMBURG SIZZLER - Mezzo-soprano Beth MacLeod, named by Cape Cod
Opera as itsnew artistic director,has an international reputation that includes
970 performances as Madam Giry in Andrew Lloyd Webber's Phantom
of the Opera in Hamburg, Germany. She will add her Cape post to her
directorship of the Duxbury campus of the South Shore Conservatory and
South Shore Opera by the Bay. MacLeod, who earned degrees from the New
England Conservatory of Music and The Curtis institute of Music as well as a
certificate from The Julliard Opera Center, was heard most recently in Cape
Cod Opera's First Night Chatham concert. She succeeds Dr. Thomas Vasil
of Orleans, who is retiring.
NOW PLAYING
REGAL THEATERS
TRISTAN & ISOLDE (PG-13)
Fri.- Thu. (12:45 3:45) 7:10 9:50
LAST HOLIDAY (PG-13)
Fri. - Thu. (12:55 3:35) 7:25 9:55
GLORY ROAD (PG)
Fri. - Thu. (12:35 3:20) 7:25 10:00
HOSTEL (R)
Fri. - Thu. (12:50 3:55) 7:20 9:40
CASANOVA (R)
Fri. - Thu. (12:40 3:45) 7:15 9:40
HOODWINKED (PG)
Fri. - Thu. (12:35 3:15) 7:15 9:20
MUNICH (R)
Fri. - Thu. (12:15 3:40) 7:30
Tue. (12:15 3:40) 7:30
FUN WITH DICK AND JANE
(PG-13)
Fri. - Thu. (12:45 3:25) 6:55 9:15
BROKEBACK MOUNTAIN (R)
Fri. - Thu. (12:30 3:50) 7:05 9:55
KING KONG (PG-13)
Fri. - Thu. (12:15 4:00) 7:50
Tue. (12:15 4:00) 7:50
MEMOIRS OF A GEISHA (PG-13)
Fri. - Thu. (12:20 3:25) 6:45 9:45
CHRONICLES OF NARNIA (PG)
Fri. - Thu. (12:25 3:30) 6:50 9:45
Tue. (12:25 3:30) 6:50 9:45
LAST HOLIDAY (PG-13)
Fri. - Mon. (12:20 4:00) 7:00 9:35
Tue. - Thu. (4:00) 7:00 9:35
GRANDMA'S BOY (R)
Fri. - Thu. 9:30
RUMOR HAS IT (PG-13)
Fri. - Mon. (12:30 4:10) 7:10
Tue. - Thu. (4:10) 7:10
HOODWINKED (PG) Fri. (12:00)
Fri. - Mon. (12:45 4:25) 7:30 9:40
Tue. - Thu. (4:25) 7:30 9:40
FUN WITH DICK AND JANE
(PG-13)
Fri. - Mon. (12:40 4:20) 7:20 9:35
Tue. - Thu. (4:20) 7:20 9:35
KING KONG (PG-13)
Fri. (3:45) 7:35
Sat. - Mon. (12:00 3:45) 7:35
Tue. - Thu. (3:45) 7:35
CHRONICLES OF NARNIA (PG)
Fri. - Mon. (12:10 3:50) 7:45
Tue. - Thu. (3:50) 7:45
CASANOVA (R)
Fri. - Sun. (1:00 3:55) 7:30 9:25
Mon. (1:00 3:55) 7:30
Tue. - Thu. (3:55) 7:30
PRIDE AND PREJUDICE (PG)
Fri. - Sun. (12:50 3:15) 7:10 9:40
Mon. (12:50 3:15) 7:10
Tue. - Thu. (3:15) 7:10
BROKEBACK MOUNTAIN (R)
Fri. - Sun. (12:30 3:25) 7:05 9:35 I
Mon. (12:30 3:25) 7:05
Tue. - Thu. (3:25) 7:05
FAMILY STONE (PG-13)
Fri. - Sun. (12:40 3:45) 7:20 9:30
Mon. (12:40 3:45) 7:20
Tue. - Thu. (3:45) 7:20
WALK THE LINE (PG-13)
Fri. - Mon. (12:20 3:35) 7:25
Tue. - Thu. (3:35) 7:25
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